The Jamie Lloyd Company has hit back after its production of Shakespeare’s “Romeo & Juliet” has been the subject of what they call a “barrage of deplorable racial abuse” aimed at an unnamed cast member.
The play, directed by Jamie Lloyd (“Sunset Boulevard”), stars “Spider-Man: No Way Home” star Tom Holland as Romeo and Francesca Amewaduh-Rivers (“Sex Education”) as Juliet.
On Friday, the Jamie Lloyd Company issued a statement, saying: “Following the announcement of our ‘Romeo & Juliet’ cast, there has been a barrage of deplorable racial abuse online directed towards a member of our company. This must stop.”
I see your point, but it is also a little weird when a previously established black character is made white, or at least less black, in the casting. Apparently during TMNT’s grimdark period, before the cartoon, their April O’Neil was bi-racial. Baxter Stockman was black, but when the TMNT cartoon came out in 1987, both were white.
I wasn’t familiar with Teenage Mutant Ninja Turtles until the very kid-friendly cartoon, so it didn’t bother me. I mean, this was my first introduction to these characters, right? I had no idea. But fast forward to now, when it’s very strongly canon that Baxter Stockman is black, and the 1987 Baxter Stockman, who’s a hybrid of Dr. Brown from Back to the Future and Jeff Goldblum’s bug in The Fly, does seem a little… off.
I hear you, man. In the end, works of fiction are just that. Something somebody came up with. Imagine a five year old telling you a story, something completely made up. Would you pay too much attention to that? What’s the difference between a kid and an adult coming up with something they pulled out of their imagination?
Not too different, really. And yes, I know the adult has studied and have way more experience. But ultimately, he or she wrote down something they made up.
So what does it matter if a character is black, red or white?