Etta Federn was bornon April 28th 1883 in Vienna, the youngest daughter of an assimilated Jewish family. She was the daughter of the suffragette Ernestine Federn and the doctor Salomon Federn and the sister of Paul, who became an analyst, Karl, who became a lawyer and writer, and Walter who became a journalist.

She had an education on an equal footing with her brothers. She studied literary history, German and Greek literature. After graduation she began to study German and philosophy. In addition, she received a broad education in foreign languages.

She broke with her family and moved to Berlin, where she completed her studies with a thesis on Faust. She earned her living there first as a teacher and then as a translator from English, French, Danish, Russian and Yiddish. She translated Alexandra Kollontai, Hans Christian Anderson and Shakespeare.

She worked as a literary critic for the newspaper Berliner Tageblatt. She published many biographies including those of Dante and Goethe. At the same time she began to write essays, biographies, autobiographical, stories, a play and poems. She married twice, both marriages ending in separation.

She made contact with the anarchist movement in Berlin and began to participate in the activities of the German anarcho-syndicalist union the FAUD (Free Workers’ Union of Germany - Freie Arbeiter Union Deutschlands), contributing articles to its press on a regular basis. She began to make many friends within this movement.

The anarchist movement in Berlin attracted in Etta’s own words many “self-motivated Jewish women who offered their intellectual, emotional and political support to the ideas of social revolution, free education, the importance of cultural work, women’s emancipation and the importance of solidarity and responsible behaviour”.

She met Emma Goldman, Mollie Steimer, and Sonia Flechin, among others. In particular, she maintained a close friendship with Rudolf Rocker and Milly Witkop for life. She took an active part in the women’s organisation founded by the FAUD, the Syndikalistischen Frauenbund -Syndicalist Women’s Organisation (SFB).

She received death threats from the Nazis as a result of her biography of the liberal politician Walter Rathenau, murdered by right wing officers, which was published in 1927. In addition the forces of reaction put pressure on the newspapers and publishing houses she usually wrote for, so that her sources of income began to dry up.

She left Germany for Barcelona in 1932, at the age of 49 with her two sons. In 1933 her books were amongst those destroyed during the Nazi public book burnings and she was placed on the Nazi blacklist.

In Barcelona she received continuing support from the anarchist circles still in Berlin, and in turn she was able to welcome those fleeing to Berlin later. She was able to adapt quickly to Barcelona, writing articles for the Spanish press within weeks and starting to learn Catalan. However, she remained financially straitened, and had to rely on small but regular transfers of money from her close relatives in the USA.

During the Spanish revolution she joined Mujeres Libres (Free Women), the anarchist women’s movement, in July 1936. She taught literature, language and education at the cultural centre set up by Mujeres Libres, the House of the Woman Worker, was based on the teachings of the Spanish libertarian educationalist, Francisco Ferrer.

Later , in 1937, she founded, in collaboration with Mujeres Libres, four libertarian schools in the Catalan city of Blanes. These schools, of which she was the director, trained teachers as well as teaching children. They were co-educational, with an orientation towards atheism and antimilitarism, and designed to have an anxiety free, stimulating and caring atmosphere for children.

In May 1937 she returned to Barcelona and had her book Mujeres de las Revoluciones , which included biographical sketches of twelve famous women, published by Mujeres Libres.

In 1938, because of the massive bombing raids on Barcelona she left for Paris with her two sons.

Between 1940-1945 she moved to Lyons. She was by now completely exhausted physically and sometimes seriously ill. Despite this, she engaged in resistance work through translations, propaganda work and organisation.

Her oldest son Hans died in 1944 in the fighting at Vercors. Paradoxically it was because of this that she became entitled to French nationality and a small monthly pension, although she remained in poverty until her death in Paris ion May 9th, 1951.

She features as a literary personality in a novel of the Swedish anarchist writer Stig Dagerman (who had married the German anarchist Annemarie Goetze) Skuggen av Mart (Stockholm 1947) and in Utan Vaiaktig stad (Stockholm 1948) the novel of another Swedish writer, Arne Fosberg.

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  • DragonBallZinn [he/him]@hexbear.net
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    3 minutes ago

    Does anyone know if there’s any theory written about oppressed groups in the imperial core and creating a type of “parallel culture”?

    With chuds, fascism being overwhelmingly embraced by the mainstream. I got the message loud and clear: I am not welcome in mainstream society.

    I just want to fuck off to the city where I can be with my fellow weirdos in peace but no one is hiring anymore so I can never leave and living in the sticks with people who want me dead if they knew anything about me is fucking unbearable.

  • Redcuban1959 [any]@hexbear.net
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    1 hour ago

    just fucking tired of life. life always was kinda of shit for me, but hearing shit from a close family member does not help at all. specially when it’s less than a year that my mom died.

  • DragonBallZinn [he/him]@hexbear.net
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    1 hour ago

    The unemployed population once again wants to remind employers we’re still waiting on our jobs and are raring to go whenever!

    “No one wants to work anymore!”

    Then give us a try. You can’t know if we’re really all that bad if you never try us!

  • homhom9000 [she/her]@hexbear.net
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    3 hours ago

    Some Canadian geese were walking their kids near my running path. After I stepped over to pass they started hissing at me and moving towards me while raising their wings. I ran faster and they stopped.What if they’re on the path next time, how do I win?

  • Blockocheese [any]@hexbear.net
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    3 hours ago

    For people who understand computers, is this an okay beginners pre-built set up?

    https://www.zachstechturf.com/product-page/shadowboltv1

    I don’t play any really large games but that might be more because I’ve never had anything I could do that on so I might want to once I have a real gaming computer.

    I currently really like don’t starve together, raft, and rimworld and would mostly be playing those (unless I find more games I like)

    • hello_hello [comrade/them]@hexbear.net
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      1 hour ago

      This feels far too expensive for a beginner setup. You should comparison shop because I think you can get much better specs for that price point.

      I still would advocate for building your own desktop. It’s good also for future desktop maintenance and will knock off 100-200 dollars from the price (windows tax and assembling costs).

  • Wmill [they/them, fae/faer]@hexbear.net
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    5 hours ago

    Dream missed connections: you were the jacked kangaroo lady from my dreams I was the slightly bigger than you cubby guy who was helping you empty those bags of shells on the plastic tables for the rest of the class. I miss you please astral project me back your tragic back story moved me and I thought you were cute 🥺

  • Goblinmancer [any]@hexbear.net
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    6 hours ago

    Dark deity 2 is great for most part but I REALLY HATE when stories try to make you sympathize with an otherwise unrepentant evil villain because “they are just like our protagonist but raised by evil dad”

    spoiler

    lets kill off one of your main PLAYABLE CHARACTERS to show off the “realistic cost of war” only to be undermined by not only sparing but also literally letting an evil ass princess that had a direct hand in killing one of protagonists just walk away freely is such a convulted narrative choice just why? why are we given choice decide the fate of entire civilizations but no choice in killing a remorseless villain? and then in the next chapter you execute an enemy general so wtf, also 29 chapters in and our protagonist STILL CRASHES out for being a leader like I get wanting your heroes to be emotionally vulnerable, however this happens like 6 times already before its getting tiring.

    i really hate when a story gets close to good/great but unfortunately gets something wrong, more frustating than just a plain unsalvageable story like engage/fates.

    • Riffraffintheroom [none/use name]@hexbear.net
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      6 hours ago

      FYI pulse tinnitus can be caused by circulation/heart problems so maybe see a doctor if that keeps up. Except your ear hurts so it’s probably not that. Don’t listen to me I’m an idiot.