• 21 Posts
  • 29 Comments
Joined 1 year ago
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Cake day: July 19th, 2023

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  • How do I even with this question? The whole picture is made up of small details, and the details are all in the context of the whole picture. So it’s both. The answer is both and it depends on what the thing is and why you’re having to concentrate on it and where you are in that process. Any project you work on will need big picture perspective to decide what things you need to do, and also need detail perspective to do those things. Any field of study will have its overarching themes and its individual examples.

    Let’s look another way. I know they’re not talking about a literal picture (and why use metaphors in an autism test of all things?), but let’s pretend they are. When I look at The Hay Wain I see an idyllic rural scene. Then I see the cart, the house, the horsemen, the dog. I see the whole picture first, then I pick out details. When I look at The Persistence of Memory, I see the face, the clock, the tree, the cliff. Then I wonder what it could mean. I see the details, then (try to) assemble a full picture. It depends. It always flipping depends.

    If It gave me specifics, I could answer this. But I’m just floundering with this sort of generality. I am leaning towards Slightly Disagree, only because I am crying out for details trying to interpret this question.





  • Compared to the first question, I had to think a lot harder about this one. First stumbling block - ‘difficult’. Difficult compared to what? Second, ‘reading’. Is it ok to also think about characters in films and TV here? Taken at face value, the answer would be no, but the question seems more about interpreting the story than about the medium that the story is in. So film and TV should be ok? I think?

    Anyway, characters in stories tend to be pretty explicit in their intentions. Captain Ahab wants to kill the whale, Frodo Baggins wants to destroy the ring, Elizabeth Bennett wants to find a suitable husband. They will explain themselves in dialog, and sometimes even get their thoughts narrated. Sometimes a character’s goals will be ambiguous or misleading, and that’s deliberate on the part of the author. It’s not a problem if you get to the reveal in a mystery novel and don’t yet suspect the killer. So, I think I can follow stories well enough. But…

    Is there some aspect to characters that I’m not getting, and that I am not aware I’m not getting? There’s a kind of intrigue type of stories that just go over my head. I never know what’s going on in Scorcese or Frances Coppola movies, for example. And then there’s people in the fanfic space who like to ship characters, or imagine this character in that universe, and I don’t get it. Back in school we had a book report exercise with questions about the characters and how they develop through the story, and I found it unreasonably difficult to apply those questions to the stories I was reading.

    So I’m going to say Slightly Disagree. On the face of it, I can generally understand what I need to follow a story. But I have some doubts, and I don’t think I have the insight to assess how relevant those doubts are.


    E. After the discussion below, I’m revising this to Slightly Agree. I think there’s more going on with this question than I’m able to fathom.










  • Oh no, that was my perception in my words. If there was anything so explicitly hostile I would have taken a picture of that instead.

    Some context for my reaction - it has a cover letter that mentioned the high demand on the service and 24+ month wait times. Health service provision here (the UK) is highly politicised (as it is everywhere), and services are always under pressure to cut their wait lists. The application pack came in separate sections for standardised assessment forms, and one for admin details like contact numbers and medical history. This question was in the admin section.

    I appreciate your point of view though, and it’s a reasonable possibility. I’ll keep it in mind when I fill it out.