Setting aside the usual arguments on the anti- and pro-AI art debate and the nature of creativity itself, perhaps the negative reaction that the Redditor encountered is part of a sea change in opinion among many people that think corporate AI platforms are exploitive and extractive in nature because their datasets rely on copyrighted material without the original artists’ permission. And that’s without getting into AI’s negative drag on the environment.
I bet you don’t like it when people put urinals on a pedestal.
While I support your whole statement, I think the beauty of art lies in the message, vision or emotion that the artist wants to convey to the world through a visual medium. You can have a super realistic portrayal of a human and still prefer the art of Van Gogh because he shared his emotions through his art and people could feel that.
there was an ‘also’ in that sentence - and he put it there himself without leveraging other bathroom-installations-on-pedestal works
He put it there leveraging a whole urinal factory. Transported into today’s world, instead of clicking “generate” on a prompt with “urinal” on it he put “urinal” in the amazon search box, picked the first result, and then hit “buy”.
The art is in the idea, the message, the thought or impression that’s getting transmitted, the effect in the recipient’s mind (in this case it was a shitpost to troll conservatives on the one side and have a good chuckle among people who got it on the other). The rest is craft. Craft, on its own, can be fucking impressive but it’s not art.
And, of course, yes, not everyone hitting “generate” is putting a urinal on a pedestal. Much of the AI stuff out there is devoid of artistic intent, much of it isn’t even crafty, but that doesn’t mean that something being AI generated cannot be art, or that it would need craftiness to become art.
In the case of his bicycle wheel thing he went through a gazillion wheels – hitting generate a million times if you want – until he found one that was neither beautiful, nor ugly, but one that was profoundly uninteresting, “just a wheel, nothing special”. That was work, the actual work of an artist (judging the impression something makes), and with precise artistic intent – to make a statement about how art should be about engaging the mind, be not about aesthetics.
The people producing profoundly uninteresting works with AI don’t do that. Just goes on to show that the author is very much not dead.
Until one can produce work that makes an impression with some precision one has to have experience in the medium though - and different media are different regarding to what that means.
With illustration and representative art it starts with something ‘reading’ correctly, i.e. whether the intended representation even gets to the recipient. And then there are more layers on top of that getting ever more meta.
Someone who can put a urinal on a pedestal and cause an uproar in whichever direction has a lot of experience - but if a picture is just a picture or a urinal is just a urinal, it’s not worth looking at much, except for its engineering. Good art doesn’t have to be on that level though, entertainment can also be good art (but a lot of it isn’t) - there, it’s about resonance.
You’re right that craftsmanship alone cannot produce good art, there is something else driving the desire to hone craftsmanship, which is maybe to better be able to express what was impressed on the artist through life. Something that resonates with the artist is made with the hope it also resonates with other people, art is a social endeavour.
But I also feel that to a large extent, honing the craft also hones the intuition (and some knowledge as far as it can be distilled) for what makes things resonant with others. I make myself into the diffusion model to resonate with what I’m making while making it, you feel each curve you put to paper or canvas, you feel the tension in a pose, the impact of a composition - the resulting art is what’s there when that process is abandoned.
I feel like a vegan about the currently available models - once there is something made from public domain art only I’ll experiment. But right now I’m sitting in front of them like a vegan in front of sausage: For others the result is food but for them, they just see the process turning individuals into sausage.
Oh, definitely. I’d also say that if you want to make art, starting out with AI isn’t a good idea, do literally anything else until you have developed an artistic eye: If for no other reason that it is developed faster by trying to appease even an underdeveloped one than by using it. Just to make this a bit more concrete, if you can sculpt or paint a smile that doesn’t look freaky which is a low bar aesthetically speaking but not trivial for a beginner sculptor or painter, then you can properly judge whether what AI is giving you is something resonant, or forgettable. The untrained eye putting “woman with big tiddies” in the prompt certainly isn’t going to notice finer details of a smile, what with eyes being on the tits.
I don’t consider models learning from stuff, as in, the pixels can be accessed without a paywall or they’ve paid for that wall, as infringement. If it was then every artist who ever used reference should be in prison, and we shouldn’t.
Note that this is actually quite a different situation in diffusion models than it is with LLMs which are notorious for returning their training data verbatim: All the NYT needed to do to get their articles back is to put in the first paragraph of the article. Getty, meanwhile, is arguing their court case in the abstract because they can’t get models to reproduce their images, certainly not for lack of trying or resources. When working with the models it also quickly becomes apparent that they can abstract over concepts.
At the most it’s the difference between organic and barn eggs. Yes, organic ones are nicer. No, barn eggs aren’t terrible (depending on local regulations etc. yadayada). Vegans might disagree but, then, well, I’m flexi.
i wonder if the people downvoting you even understand the reference